Answer:
Animal skins
Explanation:
Artists in Europe before AD 1100 prepared animal skins like parchment or vellum as drawing surfaces.
Stanza 1
Our poems diminished a specific distress. We drove each other to deliver our best. Despite the fact that verse we lived where neither one of the stills could go. Inside our verses we made it so.
Stanza 2
Inside our verses we made it so. We'd cruise on yachts and taste of fine Bordeaux. Tall pinnacles were climbed and lovely valleys crossed. We discovered experience, and our feelings of trepidation were lost.
Verse 3
In spite of the fact that verse we lived where neither one of the stills could go. We crossed treats and mountains topped with snow. Disregarding boundaries impeding us in life, By-passed, surmounted with no strife.
Verse 4
We drove each other to create our best. We walked through lyric structures as if had. We thought a considerable measure alike and wanted to share. I felt alone on occasion she wasn't there.
Verse 5
Our poems alleviated a specific distress. We relieved each other amid times of stress. At the point when things turned out to be excessively for her to shoulder. I just trusted it mattered I was there.
Hope this helps!
D is the answer for this question
Answer:
contempor artist
Explanation:
I consider myself a contemporary artist because my art is a dynamic combination of materials, methods, concepts, and subjects. My art is a style that has become popular in the 21st century.
hope this helped :)
Answer:
Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
