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saul85 [17]
3 years ago
14

(JoJo's Bizarre Adventure) D4C's ability is to "allow neighboring worlds to exist simultaneously in the same location" but what

exactly does that mean?
​
Arts
2 answers:
konstantin123 [22]3 years ago
4 0

Answer:

It means that he has unhumanly powers which cannot be explained due to our lack of knowledge of the matter.

Explanation:

probably lol!

8_murik_8 [283]3 years ago
3 0

He can bring alternate universes to him basicly making them exist in the same reality there for makeing him able to switch  between his alternate selves to restore his energy or replenish his body, and this is a literal fact if you read the manga its not that hard to explain well techniqly it is but i wont get all the way into it i could but i wont

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Why was African art lost​
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African art history has played a significant role in shaping the culture and history of the world. The belief that Africa is the cradle of the history of mankind is virtually unshakeable. The origins of African art history lie long before recorded history, preserved in the obscurity of time. Rock Art is centuries old, while shell beads fashioned for a necklace have been recovered in a cave in the furthest reach of the southern peninsula of South Africa that are 75 000 years old.  

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A study of African art history indicates the earliest sculpture forms found come from Nigeria and are dated around 500BC. However, the lack of archaeological excavations inhibits knowledge of the antiquity of African art and the sheer disposable nature of the raw materials used in the creation of art objects means that an untold wealth of pieces have disintegrated in time.

Compounding this, as these objects were not coveted as aesthetic accomplishments by the indigenous communities who created them, no effort was made to preserve them. Often their value was negligible once their function was performed.

Foreign colonisation of most countries in sub-Saharan Africa took place from 1840 onwards and different values became omnipresent. A lot of African art was acquired for curious means by travellers, traders and missionaries in the century before and left the continent. Colonialists most often did not give indigenous art the merit and attention it deserved and thereby African art history was not preserved or documented.

There has been a huge emphasis on Central African art history for two reasons, one being that the communities who resided there were the most sedentary of the tribes in Africa and secondly, that they produced figurative sculptures that Western collectors could most easily identify with as 'art'; as they defined it.

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The surge in interest in collecting African art, both tribal and contemporary, has forced scholars and investors, governments and institutions to re-examine the very essence of African art. Collections that have been inhabiting deep, dark depths of museum vaults have been moved to the forefront of African art history museums, galleries and auction houses to be observed and celebrated for the beautiful and fascinating field of art that it is. European and African researchers are studying collections not only to see how they may be used to shed more light on African art history but also to help restore lost traditions and skills in the crafts of the cultures from whence they came.

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Africa must have lost uncountable pieces of art that would have been lost on the wayside of migratory existence.

Explanation:

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