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DENIUS [597]
3 years ago
6

Please Hurry

Arts
2 answers:
kirza4 [7]3 years ago
6 0

Answer:

TRUE

Explanation:

elena55 [62]3 years ago
3 0
It is true because then the photo tells more of a story that many people would catch because they wouldn’t understand what view to look at it from
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What unlikely event had to occur in order for the Nika rebellion to become as serious as it did?
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Argumenta sobre las influencias culturales en las expresiones artísticas nacionales?
Contact [7]

La respuesta correcta para esta pregunta abierta es la siguiente.

A pesar de que no se anexan opciones o incisos para responder, podemos comentar lo siguiente.

Las influencias culturales en las expresiones artísticas nacionales se ven reflejadas por la presencia dominante de alguna expresión cultural externa que ha permeado en la sociedad, y transmite su tradición  e historia en la cultura a la que está influyendo.

Por ejemplo, cuando los españoles conquistaron Mesoamérica y Sudamérica, trajeron consigo sus propias creencias y tradiciones que impusieron a los indígenas de América.

Hablamos de dos cosas principalmente. Les impusieron su idioma: el Español. Y les impusieron su religión: el Catolicismo.

Los españoles se dieron la terea de eliminar a los ídolos que veneraban los Indios. Afortunadamente, nunca los eliminaron del todo. Lo que sí lograron fue imponer su idioma. y con ello, una serie de costumbres, tradiciones y cultura que hoy en día es parte de los pueblos Latinoamericanos.

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3 years ago
Why did David Smith burnish the surface of his work Cubi XIX?
soldier1979 [14.2K]
<h2><u>Answer:</u></h2>

DAVID SMITH is an American sculptor(1906– 1965), he created metal figures that have affinities with the Abstract Expressionist movement in painting. He figured out how to weld in a vehicle plant in 1925 and later connected to his art the technical ability in dealing with metals he picked up from that experience.

Also, working in huge scale at the industrial facilities helped him picture the potential outcomes for the stupendous metal model. In the wake of trying different things with an assortment of sculptural styles and materials, Smith made his Cubi series in the mid-1960s.

These works, for instance, Cubi XIX, comprise of simple geometric structures solid shapes, barrels, and rectangular bars. Made of stainless steel areas heaped on each other and afterward welded together, these expansive scale models put forth a striking visual expression.

Smith included gestural components reminiscent of Abstract Expressionism by shining the metal with steel fleece, creating abstract looking examples that attract attention regarding the two-dimensional of the sculptural surface.

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