Answer:
A screen director does not relinquish control on opening night in the way that a stage director does. The director remains in control of pace, structure, builds and reactions as he or she works with the cinematographer and editor to stitch together a disparate collection of shots, score, sfx, cgi, audio, etc into a whole movie. The pauses, builds, responsiveness to an audience that actors read and manage on stage are the business of the director in a screen production. Once the actors have gone home there is still major work to do before it reaches the audience.
Explanation:
T.V, computer, radio, mobile phone, tablet, etc.
I made mistakes from ignorance, inexperience and overwork
I did not knowingly violate any law or standard of conduct
No one in The White House, to my knowledge, violated any law or standard of conduct, including any action in the travel office. There was no intent to benefit any individual or specific group
The FBI lied in their report to the AG
The press is covering up the illegal benefits they received from the travel staff
The GOP has lied and misrepresented its knowledge and role and covered up a prior investigation
The Ushers Office plotted to have excessive costs incurred, taking advantage of Kaki and HRC
The public will never believe the innocence of the Clintons and their loyal staff
The WSJ editors lie without consequence
I was not meant for the job or the spotlight of public life in Washington. Here ruining people is considered sport.
Answer:
Before photography and film, portraits provided a way to record a person's image. Rembrandt's self-portrait, or portrait of the painter himself, is a painting. It is a realist, frontal self-portrait, that relies strong contrasts between light and dark to show detail and emphasize the artists face. Each part is proportionate, so that no one feature is embellished, but instead compliment one another.Waves in their natural form, are not necessarily art, however Katsushika Hokusai has captured the fierceness of the waves and the glory of the ocean by painting a frozen image of a large wave just before it is about to crash down on the sea below. The artist used proportion to show the large wave as most prominent, displaying its power over the waves below. The artist created balance for the large wave on the left, by creating height in the sky, which is more likely clouds on the right. The white caps are emphasized by the artist's use of contrast between their light, and the darkness of rest of the sea. This makes the white caps appear claw-like, reaching out for the sea below with intention and strength. The artist's main inspiration was nature, specifically the sea.
Explanation: