In essence, the directorial concept or 'vision' is how the director envisions the play. This begins as a written idea before being realised through the elements of production, namely the set, costumes and lighting. In effect the directorial approaches are the ways of realizing the themes enacted on the stage. In the first thematic interpretation which suggests the first directorial approach, the play is looked at from the sociological perspective, as a study of the family.
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By Adriana Aumen, College of Arts and Sciences
Courageous, conflicted, cantankerous or just plain cute, the colorful characters brought to life in Japanese anime film and television can teach a great deal about the country’s culture, says Michael Arnold, incoming Japanese studies instructor at Washington State University.
Featuring vibrant, hand-drawn and computer-animated graphics, anime productions provide glimpses of Japanese life, values and social norms as well as everyday language and idiomatic expressions used in context, Arnold said.
Recognizing the great potential of anime as an educational tool, the School of Languages, Cultures, and Race (SLCR) at WSU invited Arnold to teach “Transnational Anime: Japanese Animation History and Theory” in the spring 2019 semester. It is among three new or returning courses added this academic year to the broader suite of Japanese language and culture study options.
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Australian architect Andrew Maynard had to rethink the organisation of spaces in a home to the north of Melbourne. The family that commissioned the renovation project had already added extensions onto the home, building an additional level that blocked out the daylight for a number of parts of the house and the garden. The problem was that the land in the neighbourhood had been divided up into very small lots, and the family's three children made this final renovation necessary.
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As a boy on the streets of his neighborhood, he was known as the ROLLER SKATING champion.
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