No but I think I have a friend who does
The Boogie-woogie style focused on solo piano playing, as if the sound of an entire big band was produced from the keys of the piano. It often followed the twelve-bar blues structure.
This style of blues was very relevant in the 30s and 40s mainly by the American black community. Its most striking feature is the syncopated use of the left hand on the piano.
It can be understood as a mixture of gospel, country and blues styles, having emerged without classical influences, but in nightclubs where the style was popularized.
Therefore, this style of blues differed from the original blues for having a faster and more danceable rhythm, being a success in the United States until the year 1942.
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The last bit would be Broadway
He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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