Answer:
The detail that uses sensory words to describe Akela is:
C. out at full length on his rock.
Explanation:
Sensory words are words or phrases that appeal to one of more of our five senses: sight, smell, taste, touch, and hearing. Having that in mind, we can use elimination to answer this question:
A. a hilltop covered with stones and boulders - may appeal to sight, but does not refer to Akela. This option is incorrect.
B. who led all the Pack by strength and cunning - does refer to Akela, but does not appeal to any of the five senses. The words "strength" and "cunning" demand a different kind of interpretation from readers. This option is incorrect.
C. out at full length on his rock - this is the correct option. We can imagine Akela lying down on the rock; we can even see the position of his body because of this description. Imagine your dog or cat, for instance, lying down on the floor, with his/her belly's whole extension touching the floor.
D. from badger-coloured veterans - again, does appeal to the senses, but does not refer to Akela. This option is incorrect.
The correct answer should be B. Reflective.
Reflective poetry is one in which the author discuses a certain aspect of life and how he feels about it. Narrative poetry is about events while descriptive about describing people or objects. Here he analyzes death which is why it is reflective.
Shawna's essay adressed the topic in a logical order,
so the answer is the second option.
Chronological means In order of what happened
Answer:
The answer is groaned
Explanation:
Because branches can't actually groan.
What Inference can be made?
We know its not that he is unaware of Romeo's troubles because he is clearly speaking of them. We also he is not the reason for his despair, he does not blame himself but only <em>describes </em>what Romeo appears to look.
Lastly, we find that he is not annoyed as the tone in his speech does not give context of this. He actually tries for a solution in lines 125 and 126.
So the answer is: He is very concerned about Romeo.
