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LiRa [457]
3 years ago
9

3. what idea did Maya Lin use to organize her design of the park in Grand Rapids, Michigan?

Arts
1 answer:
nikitadnepr [17]3 years ago
5 0

Answer: c. following the natural terrain of the site

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do you have that one ex that you think you still have feelings for but don't know about them?Do you have that one boy that never
8_murik_8 [283]

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Kind of for the first question, I had a crush on one girl for about 2 1/2 years, and I got over her a few months, because she moved and stopped talking to me, but lately I've been falling for her again, even though I'm already with someone who is much better in my opinion.

Explanation:

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3 years ago
Please help
allsm [11]

Answer:

You can use this in the Architect industry to create blueprints for a building, which in turn will show the layers of said building.

4 0
3 years ago
I have a problem. y’all gotta tell me what to do.
vekshin1

Answer:

Cool

Explanation:

Its amazing and probably curve it so it connects

7 0
3 years ago
Paleontologists are still debating about whether modern behavior, language, and art appeared more recently in Europe, about 50,0
PolarNik [594]

Answer:

I believe it shows both higher level thinking as well as a form of art.  The Blombos caves shows ancient artifacts showing interlectual structure of improvement by adapting the form of art. The caves preserved the art showing that they have learned how to create triangular art by carving the stone(similar to the woodcut technique) which would be widdled with a sharp object such as a knife, bones, or a sharp stone. As for the artifacts, the cave walls were painted(proof of art) showing ancient animals and how they hunted by creating weapons(also artifacts). So as you might see, the Blombos caves show artifacts of a higher thinking as well as a form of art.

Explanation:

You might want to rephrase it slightly so that you dont get a 0 on it

4 0
3 years ago
Describe the different artifacts of Southeast Asia. NEED ASAP GRADE 8
pashok25 [27]

Explanation:

Southeast Asian arts, the literary, performing, and visual arts of Southeast Asia. Although the cultural development of the area was once dominated by Indian influence, a number of cohesive traits predate the Indian influence. Wet-rice (or padi) agriculture, metallurgy, navigation, ancestor cults, and worship associated with mountains were both indigenous and widespread, and certain art forms not derived from India—for example, batik textiles, gamelan orchestras, and the wayang puppet theatre—remain popular.

Southeast Asian arts

RELATED TOPICS

Southeast Asia

The arts

Southeast Asian architecture

Batik

Southeast Asian music

The term Southeast Asia refers to the huge peninsula of Indochina and the extensive archipelago of what is sometimes called the East Indies. The region can be subdivided into mainland Southeast Asia and insular Southeast Asia. The political units contained in this region are Myanmar (Burma), Thailand, Laos, Cambodia, Vietnam, Malaysia, Singapore, Indonesia, and the Philippines. The Philippines originally was not included, because Philippine history has not followed the general historical pattern of Southeast Asia, but, because of its geographic position and the close affinities of its cultures with the cultures of Southeast Asia, it is now usually regarded as the eastern fringe of Southeast Asia.

asia bee map

in the early centuries of the Common Era and, in spite of its peaceful nature, caused revolutionary changes in the life and culture of the peoples of the region. The Indians would sojourn in the region in small numbers for two or three monsoons only. The success of their commercial venture and the safety of their persons depended entirely on the goodwill of the inhabitants. The Indians brought new ideas and new art traditions. Since these ideas had some affinity with indigenous ideas and art forms, the natives accepted them but were not overwhelmed by an influx of new traditions. The Hindu and Buddhist cultures of the Indians made a tremendous impact and came to form the second layer of culture in Southeast Asia, but the first layer of native ideas and traditions has remained strong to the present day.

Changes often came to Southeast Asia, usually because it possessed a commodity that was in great demand by the rest of the world. The Indians came because they were looking for fresh sources of gold after the Roman imperial source had run dry. In the 15th, 16th, and the 17th centuries, insular Southeast Asia attracted Islamic merchants from India and farther west and later the Portuguese and the Dutch as a rich source of spices. As with the Hindu and Buddhist merchants of the past, the Islamic traders came not as missionaries, though they did spread their religion in the region. The Portuguese came as conquerors and as militant missionaries of their Roman Catholic form of Christianity, and, for those reasons, their cultural traditions were unacceptable to the natives. In the 17th century the Dutch came as conquerors and colonists for whom the attraction was first spices and then coffee, rubber, and petroleum. Since mainland Southeast Asia produced no spices for export, it was less vulnerable to the navies of Portugal and The Netherlands, so the region was not greatly affected by the Muslims, Portuguese, and Dutch. In the 19th century, Britain and France became interested in mainland Southeast Asia as the back door to China and sought to possess it as a colony. By the end of the 19th century, Burma had fallen to Britain, Siam was allowed to retain its independence only with the tacit permission of the two powers, and the rest had fallen to France. When in the mid-20th century the whole of Southeast Asia became free again, European culture and European art forms clearly had made little impact.

5 0
3 years ago
Read 2 more answers
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