Answer:
Answer is: images of a tombstone and a skull
Explanation:
The idea of movie poster is to make a movie appealing to viewers, as well as to represent what happens in a movie. Names of staring movie actors and the author can be appealing to some people, but they do not represent what happens in a movie. <em>The use of colours </em>can also be significant for the general idea of a movie, but <em>images</em> are the most important part of a movie representation.
This would be true hope this helps
it's pronounced /märˈso͞opēəl/
or mar-soo-pee-uhl
Hope this helped
Answer: her call to action (as an American social worker and reformer) was to speak up about the harsh environment women/ girls have to work in.
Explanation: It mentions In paragraph 4 that there are no restrictions and a girl of six or seven years just tall enough to reach the bobbins, may work eleven hours by day or by night. She even adds emphasis by saying they do this “while we sleep.” This supports her claim of women’s suffrage by explaining the harshness of allowing a 7 year old girl who can barely reach the bobbins to work 11 hours day or night. It explains the level of insanity and why not only Kelley but us as a whole need to take action.
The Outsiders<span> tells the story of two groups of teenagers whose bitter rivalry stems from socioeconomic differences. However, Hinton suggests, these differences in social class do not necessarily make natural enemies of the two groups. The greasers and Socs share some things in common. </span>Cherry Valance<span>, a Soc, and </span>Ponyboy Curtis<span>, a greaser, discuss their shared love of literature, popular music, and sunsets, transcending—if only temporarily—the divisions that feed the feud between their respective groups. Their harmonious conversation suggests that shared passions can fill in the gap between rich and poor. This potential for agreement marks a bright spot in the novel’s gloomy prognosis that the battle between the classes is a long-lasting one. Over the course of the novel, Ponyboy begins to see the pattern of shared experience. He realizes that the hardships that greasers and Socs face may take different practical forms, but that the members of both groups—and youths everywhere—must inevitably come to terms with fear, love, and sorrow.</span>
