Harriet Tubman: Conductor on the Underground Railroad is an interesting and well-written book that tells the story of an extraordinarily courageous and committed woman. Tubman continues to inspire those seeking dignity for all people in America. Petry's dramatization of Tubman's perseverance and sense of purpose in leading slaves to freedom shows how a motivated individual can bring about change.
Petry intends for Harriet Tubman to fill a void in an important part of United States history and asserts that "the majority of textbooks used in high schools do not give an adequate or accurate picture of the history of slavery in the United States." A completely adequate and accurate account of slavery would no doubt require many volumes, yet this biographical novel represents significant movement toward that ideal. It juxtaposes well-known historical information with details about Tubman's "underground" activities. This technique adds depth and relevance to the story of Tubman's achievements.
Irieiei uI uiI iforget uI iI iforget urinating I have a lot going in
Answer:
came, changed, wore, watched, had, i've never seen, given up, noticed, could, was, were gone
Explanation:
In the first act, it is introduced to all the main characters such as Capulets, Montague, even dramatic Hero Romeo. In
the precursor to the first act, we are talking about struggles over the
years, two aristocrats "[f]rom ancient grudge break to new mutiny".
Therefore,
we talk about one of the central disputes: that the two familes are
fighting each other. That central conflict enhances the concept of being
hostage against destiny which leads to both Romeo and Juliet's death.
In the first scene, it introduces the characterization of a character centered on Romeo's painful rash emotional heart. In
the second and third scenes of the first act, we were introduced to the
heroine Juliet and gave hints on Juliet about another dispute that
might be involved in Paris.
In
the last scene of the act, the hero and the heroine meet under intense
conditions, show the emergence of character-to-fate confrontation, and
show the conflict of character against character as seen from Tybalt's
anger and insult feeling Capulet's ball.
As
all of these introduce and serve to raise a conflict, we
confirm that the purpose of Shakespeare obviously uses the first act as
an exhibition.
