Answer:
There is difference of maturity and steadiness of lines seen in his two drawings from different years.
Explanation:
The carpenter drawing appears a little mellow ans docile. there is lot of fear and tepidness observed in the same. At the same time, the old man drawing of 1882, which is obviously is two years elder phase of his, shows dexterity in the application, style and finesse.
Answer:
No. Stella's first wish was to study medicine and he came for it in New York in 1896 to follow his older brother Antonio who was also a doctor.
Explanation:
Joseph Stella, a famous american futurist painter and artist was born in Italy in 1877 and was sent by his family who were in lawyer's bussiness, to America together with his brother Antonio, to study a medicine.
Stella discovered his art talent by refecting with his paintings and drawings on the 19th century expressionists and left medicine soon, making his progress very quickly towards a recognised artist. His first works included portraits, horses, bridges in expressionist manner.
He become famous with his series ' Black paintings' where he explored simple abstract monochrome forms.
Is the answer Overhaul and Dabi?
Answer: Line: Horizontal line of the tie/scarf; the vertical lines in the basket and with the flowers; the diagonal lines of the shawl; the curvilinear lines of the flowers and that of the woman; etc. Color: the darkness in the background to draw the eyes to the flowers and woman; the contrast in light between the woman and the flowers; etc. Texture: the shadowing on the basket, shawl, and flowers make them appear real if we could touch them; etc. Space: the grandness of the flowers; the small portions of the woman; the man standing behind the basket, the way the flowers appear overtop the woman's head and body; etc. Shape: the shape of the basket, the flowers, the flower centers, the body of the women, etc. Form: the depth created by the man behind the woman and the flowers; the height and presence of the flowers; the meekness and serenity of the woman; the way the eyes seems to start at the woman and then go up and cascade along the flower; etc.
