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Answer:
The Tuatha Dé Danann thought the attacks on Ireland were evil so-called upon four members to challenge Carman and her sons. The four members included the god of poetry (Ai Mac Ollamain), a white sorceress (Bé Chuille), a satirist (Cridhinbheal), and a magician (Lugh Laebach).
Using their magical powers they banished each of the evil sons from Ireland for as long as the land was surrounded by water. Carman proved to be more difficult to defeat. Finally after a magical spell cast by Bé Chuille her magic was subdued.
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In Emily Dickinson’s poem, she uses metaphor, likening the notion of hope to a bird that flies despite “the storm”, the cold of “the chilliest land” and the isolation of “the strangest sea” and because such metaphorical bird “flies” inside one’s “soul”, such hope is personified. In Finding Flight, the process is similar although here the text is not a poem but a story in prose. The device of remembrance of the figure of the late grandfather turns a hummingbird into a symbol of hope for the narrator. There is no metaphor here but actually symbolism. The hummingbird symbolizes both hope and the memory of the beloved grandfather who has “passed”. The bird “gives hope” both to the grandfather and the granddaughter. The plot structure is the same for both works, a reflection on the luminosity of hope, then a period of hardship that tests hope and then the resilience of hope despite all the troubles and darkness of life.
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When she writes about it, she is able to free herself from the house's grip. She knows that one day she will pack her books and writing materials and leave Mango Street, but she will have left only to come back for the others who cannot get out on their own.
Explanation:
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