A Romans tolerated most religions
Answer:
I hope this helps
Explanation:
The electors were created by the Constitution to do only one thing: elect the President and Vice President of the United States. ... Some delegates wanted Congress to choose the President, but that would have upset the balance of power among the three branches of government
Answer:
In the clarification section down, the definition of the query is mentioned.
Explanation:
- Christopher Columbus became quite dissimilar who generally think of him as a brave Nobel guiding enlightenment. He has always been embroidered mostly as bold as well as lighter adventurer throughout 1492, mostly on the top of a mischaracterization.
- A continuous stream of tragedies but instead missed opportunities followed during his fourth voyage between 1492-1504. He decided to make the relationship towards Indians unpleasant and sparked the dispute amongst them. Through the first journey of illusion, he attempted to completely overhaul his credibility and fell to pieces there. Inability and gory became his trip across the globe.
- John Smith would be another global citizen described as a renowned commander in people's understanding. He was indeed narcissistic, egoistic, and self-sufficient. Cabeza de vaka seems to have been, as opposed to the 2 explorers above, a self-centered guy. Instead of his exciting adventure, he received almost no local support. during his slowly drifting, he'd been jailed for 2 years, then become a healer of knowledge.
He didn't attempt to civilize foreign territories but tried instead to preserve their origins and independent individuals from inhumane treatment of slavery, In contrast to Columbus as well as a smith.
I believe the answer is A. Frances Perkins
Noh (能, Nō, derived from the Sino-Japanese word for "skill" or "talent") is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today.[1] Although the terms Noh and nōgaku are sometimes used interchangeably, nōgaku encompasses both Noh and kyōgen. Traditionally, a full nōgaku program includes five Noh plays with comedic kyōgen plays in between; an abbreviated program of two Noh plays with one kyōgen piece has become common today. Optionally, an okina play may be presented in the very beginning of nōgaku presentation.
Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent the roles such as ghosts, women, children, and the elderly. Written in late middle Japanese, the text "vividly describes the ordinary people of the twelfth to sixteenth centuries".[attribution needed][2] Having a strong emphasis on tradition rather than innovation, Noh is extremely codified and regulated by the iemoto system.
