B.) Our little boat was a feather in the wind as the massive tornado of a ferry passed by.
She is a <em>perseverant</em> woman, she does whatever she can to tackle racial problems, her family is from Calabar and her husband-to-be, Nnaemeka, is Igbo, her fiancé family objects to the marriage because of Nene's ethnical background, they eventually get married and she even helps solve a quarrel between her husband and his father by asking the father to come along and visit Nene and Nnaemeka's children.
Stream-of-consciousness is a very stylistic form of free indirect discourse. It is not spontaneous, or unintentional, or anything of the sort. In fact, if anything, it's just the opposite. It's highly stylized, but also purposeful and calculating. It sees the world wholly through the character's mind instead of through their senses, save for how the mind and the senses interact.
It relates to a lot of things - free association, synesthesia, free indirect discourse, without actually being any of them.
<span>There's only a handful of writers that can actually do stream-of-consciousness writing with any success - Joyce and Faulkner come to mind immediately. In short, there's nothing wrong with trying it, but there's also nothing wrong with not having done that, but having done, say, free association instead.</span>
