Explanation:
"We Wear a Mask" is famous Paul Laurence Dunbar's poem.
It deals with the status of African-American community in the late 1800s. Using "we" in the title of the poem, he gives it a personal note emphasizing that he is tha part of the community too.
Mask suggests hiding their real feelings, just like the mask hides the face. These lines suggest pretending to be happy in order to fit in, because showing real emotions falls on deaf ears and brings about lack of understanding. More precisely, these lines show that this methaphoric mask hides their pain and sadness ("torn and bleeding hearts") and hides the words they would express this with, replacing it with things other want to hear ("myriad subtleties").
Answer:
B
Explanation:
humming can also mean with loads of work; busy
It means that you unconsciously know that your answer is the correct one yet you don’t want to admit it to yourself. You know that it’s the right thing to do, but you don’t want it to be.
The thematic statement that is best described by Shakespeare’s The Tempest is B) Even in a new place with new people, travelers never escape their old problems.
The premise of releasing people in a inhospitable land where they are the mercy of human nature itself is a revelation: the characters may be exposed to several situations in which opportunity is given for them to behave in disagreement with their societal roles, however, that never takes place and they still act according to what society demands and expects of them. Prospero intends to recover his title, in spite of possessing an entire island to himself and a spirit at his beck and call, because that is what society has taught him to reach for. Miranda and Ferdinand do not consumate their passion when nobody is there to halt them, because refraining is what society dictates that they must do. Caliban, Trinculo and Stephano do not manage to ascend socially or gain power and freedom, because society exercises its control over them. Most notably and tellingly, upon shipwrecking and finding himself stranded on a remote island, Gonzalo fantasizes about a somewhat utopian society that he never manages to make come true in the play, perhaps because all the characters are either conformed or confined to their roles.
In short: if a fish is taken out of water, it is still a fish, that behaves as a fish does, and deals with the predicaments that a fish must face, even out of his element.
The topic of affection as resistance to authority is transformed and amplified within the lyric poetry of John Donne and Robert Herrick.
In work filled with a experience of the fragility and shortness of lifestyles, those poets contribute to an ethos that has end up acknowledged by way of the name carpe diem, a word made well-known by Horace,
“who in Ode, I. xi, tells his mistress that life is short, so they should ‘enjoy the day’, for they do not recognise if there can be a tomorrow”.1 Horace’s line
and all who've observed due to the fact that, to live now, and love now, due to the fact each second of scruple, doubt, and delay brings women and men in the direction of a demise this is non-negotiable and everlasting. In poetry, and in life, the idea of death becomes love’s greatest ally in its struggle in opposition to the demands of authority, conference, and regulation.
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