Answer: B) as a result
Explanation:
The meaning of the phrase "in consequence" is "as a result."
If something happens first, and something else happens afterwards in consequence, it happens as a result of the first event.
In this particular example, a man has lost his mind because of an event that is not mentioned, and has not been sane since then. His insanity is, therefore, a result (or a consequence) of that event. We can assume that the person described a traumatic event that the man experienced, and the other person replied with a question:<em> "And he lost his mind in consequence?"
</em>
Answer:
A.
Explanation
because it is now in action form/a verbal discription
The correct answer is:
Given that the Princess of Mars is set on a different planet, it can be inferred from the line that it is a fantasy.
The term "fantasy" simply refers to a literary genre that deals with magical and supernatural qualities that are not present in the real world.
Because Princess of Mars is situated on a another world, it is a fantasy. It's important to remember that fantasy is unrelated to reality. It was filmed on an unreal planet where it was set.
The author is imprisoned in a space where he views lovely images of the natural world. Nothing about this would be considered odd in a piece of fiction. However, the author continues by pointing out that all of these photographs are from a race of people who live on Mars and are not Earthly views. We can tell that this is a work of fantasy since the author is on an other world.
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The appropriate responses are options 1, 2, 3, and 5.
Explanation:
Between World Wars I and II, American modernist literature predominated in the country's literary landscape. The modernist era focused on innovation in poetry and prose's structure and language, as well as writing on current issues including racial inequality, gender, and the human condition.
Many American modernist authors who were influenced by the First World Combat investigated the psychological wounds and spiritual scars of the war experience. The Grapes of Wrath by John Steinbeck, which was published in the early 1930s, is one example of how the American economic crisis affected literature. As employees became invisible in the backdrop of city life, unnoticed cogs in a machine that ached for self-definition, a linked concern is the loss of self and the yearning for self-definition. The mid-nineteenth-century emphasis on "creating a self"—a concept exemplified by Fitzgerald's The Great Gatsby—was mirrored by American modernists. As seen by The Emperor Jones by Eugene O'Neill, The Battler by Ernest Hemingway, and That Evening Sun by William Faulkner, madness and its manifestations appear to be another popular modernist topic.
But despite all these drawbacks, real people and the fictitious characters of American modernist literature both sought new beginnings and had new hopes and goals.
