The thematic statement that is best described by Shakespeare’s The Tempest is B) Even in a new place with new people, travelers never escape their old problems.
The premise of releasing people in a inhospitable land where they are the mercy of human nature itself is a revelation: the characters may be exposed to several situations in which opportunity is given for them to behave in disagreement with their societal roles, however, that never takes place and they still act according to what society demands and expects of them. Prospero intends to recover his title, in spite of possessing an entire island to himself and a spirit at his beck and call, because that is what society has taught him to reach for. Miranda and Ferdinand do not consumate their passion when nobody is there to halt them, because refraining is what society dictates that they must do. Caliban, Trinculo and Stephano do not manage to ascend socially or gain power and freedom, because society exercises its control over them. Most notably and tellingly, upon shipwrecking and finding himself stranded on a remote island, Gonzalo fantasizes about a somewhat utopian society that he never manages to make come true in the play, perhaps because all the characters are either conformed or confined to their roles.
In short: if a fish is taken out of water, it is still a fish, that behaves as a fish does, and deals with the predicaments that a fish must face, even out of his element.
Formed by the waters of the Colorado River behind Glen Canyon Dam, Lake Powell's<span> 1,960 miles of winding shoreline (when full) and 186 mile-length make it the second-largest reservoir in the United States. Lake Mead, formed by Hoover Dam is the biggest.</span>
Answer:
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Answer:
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Explanation:
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists.
Whether or not literary criticism should be considered a separate field of inquiry from literary theory, or conversely from book reviewing, is a matter of some controversy. For example, the Johns Hopkins Guide to Literary Theory and Criticism[1] draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract.
Literary criticism is often published in essay or book form. Academic literary critics teach in literature departments and publish in academic journals, and more popular critics publish their reviews in broadly circulating periodicals such as The Times Literary Supplement, The New York Times Book Review, The New York Review of Books, the London Review of Books, the Dublin Review of Books, The Nation, Bookforum, and The New Yorker.
Answer: she is very intelligent
Explanation: