The evidence is when there is degradation. it is characteristic of channel networks in which either bedrock<span> erosion is taking place, or in systems that are </span>sediment<span>-starved and are therefore entraining more material than is being deposited. When a stream degrades, it leaves behind a </span>fluvial terrace<span>. This can be further classified as a </span>strath terrace<span>—a bedrock terrace that may have a thin mantle of </span>alluvium<span>—if the river is incising through bedrock.</span>
Answer:
The advantages of mixture a grasses and legumes is;
* extend the growing season of a pasture
* improve the quality of forage
* improve flexibility to survive environmental conditions
* reduce susceptibility to insects and disease attacks
* improve the palatability
* increase the organic matter content of the soil over time because of grass root system
* reduce weed encroachment
* reduce erosion
* produce higher yields
The probable pasture production for perennial ryegrass in the northern hemisphere leaves some time when the grass is dormant. There are times when other feed will be needed. Utilizing another grass or legume that flourishes during the less productive periods for perennial ryegrass extends the season for production and maintains the quality of feed.
Answer:
La presión del agua es una de las razones.
Explanation:
Una gran razón de esto es la presión presente en el agua. El agua es más pesada que el aire, por lo que a presiones más profundas se vuelve más difícil para ciertos animales funcionar. Para dar cuenta de esto, muchos organismos y plantas dentro del agua se desarrollan para no tener esqueletos, ciertos órganos y otras partes del cuerpo que limitan su existencia en el agua. Las medusas son un buen ejemplo de esto.
France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3]
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[4] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[5][6][7] Paris also boasts the Cité du cinéma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[8]
France is the most successful film industry in Europe in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015.[9] France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44,5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016).[10] Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.[11]
