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Difference:</h3>
When weaving, a loom is used in order to keep the warp threads in place. There are filling threads woven through them and voila! The woven cloth is created. Now, on the other side, embroidery refers to the process of decorating the fabrics in artistic ways.
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<h3>A harder way to read, if u like reading:</h3>
The term Embroidery includes different fabrics. Both needlepoint and cross stitch are types of Embroidery. Its basic definition is “decorating of fabric and other materials by stitching designs”. This can be done with thread, yarn, or ribbon. There are embroidery subcategories. Machine Embroidery is done with a sewing machine. Free Embroidery is done without taking the weave of the fabric into account. Surface Embroidery is done on top of the fabric. Embroidery roots are uncertain but there is a sign that proves that it goes back at least as far as the Iron Age. Detailed Embroidery designs in clothing were a sign of status in very old times. Different forms of Embroidery have been passed down through the generations in many cultures. Weaving is a method of fabric production in which two separate sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Almost the same methods are knitting,felting, and braiding or plaiting. The related threads are called the twist and the lateral threads are the weft or filling!!! :D
Though Donatello was a descendant of a branch of the important Bardi family, he was brought up in a more plebeian tradition than his older contemporary Lorenzo Ghiberti. Gifted with humanistic insight and a quality of will that were highly prized in the early Renaissance, Donatello revealed the inner life of his heroic subjects, memorable images which have conditioned our very conception of 15th-century Florence. Sharing neither Ghiberti's feeling for line nor Filippo Brunelleschi's interest in proportion, Donatello worked creatively with bronze, stone, and wood, impatient with surface refinements and anxious to explore the optical qualities he observed in the world about him. His later art, saturated with the spirit of Roman antiquity, is frequently disturbing in its immediacy as it attains a level of dramatic force hitherto unknown in Italian sculpture.
Answer:
These are triplets. Three notes played in 1 beat.
Explanation:
