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a_sh-v [17]
3 years ago
10

What is the purpose of accentuating a musical note in an unexpected place in a piece of music?

Arts
1 answer:
ELEN [110]3 years ago
4 0
They think it's odd or creative

maybe I'm only in elementary
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What is web-based content? media that addresses news about the Internet
Musya8 [376]

Explanation:

Web content is the textual, visual, or aural content that is encountered as part of the user experience on websites. It may include—among other things—text, images, sounds, videos, and animations .

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Can Water colour paint be used to paint terracotta pots?
levacccp [35]

Answer:

No, not really...

Explanation:

These types of pots can be used to plant plants, and we water plants. They are made to be water resistant. They are already orange and it might leave a little tint when it dries but not successfully.

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3 years ago
Arrange the tiles in the order in which the events happened in history.
Vadim26 [7]

Answer:

William Hogarth created the first editorial cartoon.

The first comic strip by Willhelm Busch, called Max and Mortiz, published in Germany.

The first comic book, Comics on Parade, was introduced by Max Gaines.

Action Comics #1 was printed.

The first graphic novel, MAUS, was published.

Explanation:

The given events in chronological order are as follows-

1. During the early and mid-1700s, William Hogarth created his numerous paintings. And in 1731, he produced his first work "A Harlot's Progress".

2. The first comic strip "Max and Mortiz" was published in Germany in 1865 by Willhelm Busch.

3. In 1933, Max Gaines introduced the first comic book "Comics on Parade".

4. Action Comics #1 was printed in 1938.

5. And in 1980, MAUS, the first graphic novel was published by American cartoonist Art Spiegelman.

8 0
3 years ago
Which type of shape is devoid edges but is enclosed within other shapes?
Bad White [126]

Answer:

implied

Explanation:

5 0
3 years ago
(URGENT!) Please help me with dance!!!
e-lub [12.9K]

Answer:

Setting dance choreography can be a daunting task. Whether you are a new or seasoned choreographer, you may find yourself at a creative block during some part of the process. These are perfect opportunities to be daring and think outside of the box!

Use whatever challenge you are facing to create something new. Choreographing is a work of passion and expression that can be rewarding despite difficulties that may arise.

Often times when people think of dance, they may imagine traditional ballet and jazz dance. In these more traditional forms, the choreography may follow the music exactly and use a structure such as ABA – theme, variation on the theme, and repetition of the theme.

However, if you are choreographing in these genres or another one altogether, breaking this mold can provide satisfying results.

The elements of dance include shape, space, time, and energy. These are important to consider when creating movement for your piece.

Different use of these elements can produce varying results when choreographing. Be conscious and aware of how you use them – they can open up doors and also cause our creative process to come to a standstill. Use them wisely!

Here are some choreographic ideas to get your creative juices flowing:

1. Choreograph in a non-linear fashion.

Instead of starting at the beginning and plowing all the way through, why not start in the middle? Or, begin working with several movement phrases and just see where it takes you.

2. Use improvisation as an impetus for movement, phrases, or overall dances.

You can improvise as the choreographer, or have your dancers improvise for you. Videotaping improvisations can also be very helpful. If you love improvisation or perhaps envision your final work being slightly different each night, you can even integrate improvisation into your piece!

3. Choreograph without music.

If you ever feel stuck choosing music, or you are working with a composer creating an original score, try choreographing without music at first. This will create a dramatically different effect on the relationship between the dance movement and the music. This works particularly well with more ambient, sparse soundscapes.

4. Look at the basic elements of your dance: shape, space, time, and energy.

You can create entire dances based on one element alone, or use these individual elements to create variations on your dance phrases. Step back and brainstorm ideas about each element through writing. Then, explore your ideas through movement.

5. Choose to create a piece outside of the theater, or in a nontraditional space.

You could make a site-specific work in a park, or produce a concert in a black box theater to help break up the frontal monotony of theater dance work. In these nontraditional venues, the audience is often given a new perspective from which to view dance because they are more up close and personal. There is little to no barrier between the dancers and the audience in these settings. The audience may get a 360 degree perspective or simply sit somewhere very close to the dancers.

6. Break your typical movement mold.

If you tend to move a certain way and create dances that all contain similar movement qualities, challenge yourself to create a movement study in ways that oppose your natural habits. You can create an entire piece off of this idea; or, use it as a way to contrast your movement in other choreographic works.

7. Incorporate post-modern dance techniques.

Test your limit of what dance can be. The post-modern dancers of the 1960’s used pedestrian movements such as walking and everyday gestures to make entire pieces. They also incorporated spoken word, video projection, and more.

8. Make your work multi-disciplinary.

If you ever feel stumped for ideas, consider how you can use other art forms or something seemingly completely unrelated to dance to create a new dance work. For example, you could incorporate live music or live painting into the dance. Another idea would be to work with a scientist or anthropologist closely on a topic that interests you to base movement from.

9. Mesh genres.

Have you ever thought about making a hip-hop Nutcracker? You could use modern dance techniques in a musical theater piece, or ballet in a tap number. The possibilities are endless.

10. Use chance methods.

Choreographer Merce Cunningham pioneered this method. There are multiple ways to use chance methods when choreographing. You could roll dice or use the I Ching as he did. Another idea would be to pull ideas, numbers,

4 0
2 years ago
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