Over the course of the early modern period, Europeans came to look at, engage with, and even transform nature and the environment in new ways, as they studied natural objects, painted landscapes, drew maps, built canals, cut down forests, and transferred species from one continent to another. The term “nature” meant many things during this period, from the inmost essence of something to those parts of the world that were nonhuman, such as the three famous “kingdoms” of nature: the animal, the vegetable, and the mineral. This article focuses on nature in this latter sense and broadens it out to include more recent understandings of the modern term “environment,” so as to encompass not only plants, animals, and rocks but also entire landscapes. Scholars from a wide variety of fields, ranging from the histories of science, art, and literature through historical geography, historical archeology, historical ecology, and landscape history, have long been interested in issues related to the environment and the natural world; more recently, they have been joined by practitioners of “environmental history” and additional branches of the environmental humanities and social sciences, who have drawn on these preexisting approaches and brought still further perspectives to the table.
To find an artist portfolio online, you can access Behance, which is a network that specializes in online portfolios to promote an artist's work.
<h3 /><h3>How to analyze an artist's work?</h3>
This is a subjective work, which will depend a lot on the individual's vision, but it is important to analyze and understand the artist's motivation behind a work of art, observing:
- Theme
- Materials
- Style
- Techniques
Therefore, the analysis of works of art must be based on the search for a comprehensive understanding of art, analyzing whether the artist was able to convey the desired message in his work.
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The chemicals in the acid rain break down the stone used to build the monuments. It is and example of chemical weathering.
In whatever key you are in, 12-bar blues uses the same basic sequence of I, IV, and V chords. It is most easily thought of as three 4-bar sections. the first 4, the middle 4, and the last 4 bars. The first 4 bars just use the I chord - I, I, I, I. The middle 4 bars go IV, IV, I, I.
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Information from- www.studybass.com
Is to minimize the number of notes