Answer:
yes and yes
Explanation:
work out a schedule for practice and events etc.
Translation:
u Jusa. In: MERCEDES
sound disc. Side B, track 3.
1-
Do you recognize the language in which the lyrics of that Song are written? Although not the
Portuguese, you are likely to understand some verses, after all it is a language that has quite a few
similarities with the Portuguese language. Which countries are mentioned in the letter? What do they have in common?
two-
Read the verses and then answer: What is this song about? To whom is the invitation addressed?
last verse of the lyrics?
3- When listening to the song, you imagine that you find a magic lamp, and inside it comes a
genius. The genius introduces himself and tells you that you have the right to place three orders. What would you ask for?
Order 1:
Order 2:
Order3:
4- On the sites below, you will do a search on the singer Mercedes Sosa. Record the
information that is relevant.
https://en.wikipedia.org/wiki/Mercedes Sosa
https://en.wikipedia.org/wiki/Mercedes Sosa
Answer:
Wstermelon Sugar-Harry Styles
Rain On Me-Lady Gaga
We're Good-Dua Lipa
Explanation:
These are just a few of my favorites
Answer:
The analysis of celebrity, celebrities and celebrity culture is one of the growth industries for the humanities and social sciences over the last decade. Psychologists warn us of the dangers of ‘celebrity worship’, sociologists interrogate young people about their personal expectations of fame, and even a discipline with as attenuated a relation to popular culture as literary studies now studies such things as ‘post-colonial celebrity’. The textual richness of celebrity culture is proving irresistible, and so the fetish for textual analysis that dominated so much of the 1980s has found itself right at home in the study of celebrity. But is this what we want from the study of celebrity? What are the approaches that are most needed, and which are likely to be the most productive for those of us in cultural and media studies for whom celebrity has become part of the heartland for the study of popular culture? This article will discuss some of the options, and in particular it will ask how we mThe analysis of celebrity, celebrities and celebrity culture is one of the growth industries for the humanities and social sciences over the last decade. Psychologists warn us of the dangers of ‘celebrity worship’, sociologists interrogate young people about their personal expectations of fame, and even a discipline with as attenuated a relation to popular culture as literary studies now studies such things as ‘post-colonial celebrity’. The textual richness of celebrity culture is proving irresistible, and so the fetish for textual analysis that dominated so much of the 1980s has found itself right at home in the study of celebrity. But is this what we want from the study of celebrity? What are the approaches that are most needed, and which are likely to be the most productive for those of us in cultural and media studies for whom celebrity has become part of the heartland for the study of popular culture? This article will discuss some of the options, and in particular it will ask how we might establish a stronger base for the study of the industrial production, as well as the audience consumption, of celebrity.ight establish a stronger base for the study of the industrial production, as well as the audience consumption, of celebrity.
Explanation:
