Advanced Composition' and Occasion-Sensitivity Further, people read for two reasons: entertainment or information. [ A writer who confuses, bores, or threatens the reader, "has lost that reader, usually for good." Earlier, Donald Murray's indispensable A Writer Teaches Writing (1968) focuses firmly on the target-audience. So writers, and now textbooks, embrace this pragmatism. Do the nation's writing classrooms, secondary and even collegiate, follow suit? Quite possibly not, which may suggest that advanced composition may often have a mandate to emphasize sensitivity to occasion as the keystone skill in real-world writing which it in fact is. My own foray into freelance writing in particular?77 articles in five years, but not without initial stumbles?taught me that real-world writing in general is varied, difficult, possible, necessary, satisfying. I now feel obligated to impart some of this perspective to my advanced writing students especially. ]
Answer:
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Explanation:
1. The third door (bronze) because you drove past them and the closest one would be the last one you drove by.
2. The color of the bus drivers eyes are your own eyes. It says "You are the bus driver". So it would be whatever color your eyes are.
I think one characteristic of literature is the narrator and character(s). The narrator is not always the author, but in some cases it can be. The narrator is the person that is recounting and telling the story. This is important and necessary in every story. We also need characters because their actions, thoughts, etc. affect the story and theme and that is what makes up the story. Without characters there is no story.
