Answer:
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.[1] As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies. Bebop groups used rhythm sections in a way that expanded their role. Whereas the key ensemble of the swing music era was the big band of up to fourteen pieces playing in an ensemble-based style, the classic bebop group was a small combo that consisted of saxophone (alto or tenor), trumpet, piano, guitar, double bass, and drums playing music in which the ensemble played a supportive role for soloists. Rather than play heavily arranged music, bebop musicians typically played the melody of a composition (called the "head") with the accompaniment of the rhythm section, followed by a section in which each of the performers improvised a solo, then returned to the melody at the end of the composition.
Some of the most influential bebop artists, who were typically composer-performers, are: alto sax player Charlie Parker; tenor sax players Dexter Gordon, Sonny Rollins, and James Moody; clarinet player Buddy DeFranco; trumpeters Fats Navarro, Clifford Brown, Miles Davis, and Dizzy Gillespie; pianists Bud Powell and Thelonious Monk; electric guitarist Charlie Christian; and drummers Kenny Clarke, Max Roach, and Art Blakey.
Explanation:
Answer:
clubes y centros turísticos
Explanation:
Options
(a)must/must
(b)need not/need not
(c)must/need not
(d)need not/must
Answer:
C, must/need not
Because Blaine Blogger reviews movies on his blog, movie theaters allow him in for free. Nellie Newspaper Reporter also gets free admission to movies. Blaine must disclose on his blog that he receives free tickets. Nellie need not disclose in her articles that she receives free tickets.
The modals must and need not have the same form regardless the subject. There is no ending with he/she/it.
If you want to say the something. is unnecessary, use need not, not must not. (The negation of must means not allowed to.)
Needn't is very different from mustn't. It is used to say that you do not have to do something, it is not necessary to do something.
Answer:
In Tennessee William´s: Streetcar Named Desire:
1. What mood do the opening stage direction and setting description create?
The French quarter in New Orleans, downtown in 1947 introduces the play with the realistic opening stage directed to a poor urban neighborhood setting a blue imbued mood in the audience, emphasized by jazz musical notes played in the "blue piano" that could lead to anxiety.
2. What effect is created with the music of the ""blue piano""?
The effect created by music played on the “blue piano" is people´s emotions related to the sadness coming from loneness and longing.
Explanation:
Set in the French area of New Orleans, where the opening stage of "Streetcar Named Desire" is played, the dramatic-realistic description is presented using tragedy theatrical techniques, depicted by the lone blue piano, to introduce depressed, solitude, and violent characters. It takes place on the first floor of a two-bedroom apartment, and relates cycles of violence.
The blue piano appears in the introductory stage directions of the first scene, expressing a theme of desire and spirit lonelines of people in New Orleans.
