Answer:
A root word is a word or part of one, it basically can help you form the new words through the addition of prefixes and suffixes. Because it is the base of the word. Hope this helps! Please mark brainliest :)
Answer:
My three favorite memory strategies are first: attention, second: retention and the last is try to remember the information.
Explanation:
The attention have to be selective, because you have to pay attention only to the important thing. Then you can write in a paper or in a notebook what you learn, underline what is important . There are too many ways to memorize the information.
when you watch images is more easy to remember that. I try to say the visual memory.
And finally the forms to remember are with test or write
schemes, or only repeating.
Sentence 4 because it summarizes the paragraph but does not give an opinion like answer but used factual evidence to support it.
In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
<em>This is like a story plus a claim following your requests. Hope it helps you, though.</em>
<h3>We call the meeting to order
11:42 AM</h3>
This is the case-claim of the missing french fries. It happened last Sunday, when I made a claim that I witnessed frozen french fries being stolen by a group of people at a store. The store retrieved the fries on Wednesday <em>today</em>. Thankfully, they were not damaged. Still in good condition, still edible. "What evidence is there"? Good question, I saw it at the store and recorded it. I presented the recording, and all is well that ends well!
<em>This claim is not based on an actual case. This is fictional, and any relation to an actual person is purely coincedential.</em>
