Answer:
Further, Frankenstein reasons that, as the Monster's maker, he owes him “all the portion of happiness that it was in my power to bestow.” In this moment, however, Frankenstein finds himself caught in a moral conflict between doing what's right by his creation and potentially unleashing more havoc upon the world
Explanation:
Stream-of-consciousness is a very stylistic form of free indirect discourse. It is not spontaneous, or unintentional, or anything of the sort. In fact, if anything, it's just the opposite. It's highly stylized, but also purposeful and calculating. It sees the world wholly through the character's mind instead of through their senses, save for how the mind and the senses interact.
It relates to a lot of things - free association, synesthesia, free indirect discourse, without actually being any of them.
<span>There's only a handful of writers that can actually do stream-of-consciousness writing with any success - Joyce and Faulkner come to mind immediately. In short, there's nothing wrong with trying it, but there's also nothing wrong with not having done that, but having done, say, free association instead.</span>
Answer:
Brian is trying to become familiar to his surroundings so that he can recognize his new forest home and survive. Tired from fighting off the mosquitoes, Brian becomes drowsy. He sits against a pine tree, and with the sun warming him, he falls asleep again.
Explanation:
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