He is most famous for writing his literature as Gothic.
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Because she knows that her neighbors might talk if they saw Boo Radley being led across the street by an eight-year-old girl, Scout places her arm in the crook of Boo Radley's elbow, so that it looks like Boo is accompanying her, rather than the other way around. This shows how obvious the gossipy nature of the town is, that it has been picked up on by Scout to the extent that she knows how it might be misconstrued, whether deliberately or accidentally, and shared. The magnitude of this nature is shown because in all the strangeness of Boo Radley being out of the house, Scout is still aware that the small detail of who is leading whom may be remarked upon. This also shows Scout's loyalty to and care for Boo, as she is thinking of him when she acts like this, to protect him from the gossip of the neighborhood as much as she can. The act of her leading him across the road in the dark also shows the reversal in roles: while Boo is afraid, Scout becomes strong to guide him, a situation which differs greatly from their last encounter, during the fire, where Scout was weak and Boo was there to help her.
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This is from the Joy Luck Club im guessing??? the primary conflict is between the narrator and her mother, the contention that comes with arguing weather or not loosing more or less pieces results in a better or worse game. the secondary contention is subliminal. it is the pressure the traditional mother puts on her child to not only win, but to always win. Her mother lived in a place and time where only those who did the best survived. the narrator only wants to win, but is willing to make sacrifices to get there. There is the tension and misunderstanding between these two generations.
