Answer:
<em>Well, The shift from craft production in small shops and mills to large‐scale industrial production in factories</em>
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<em>was a major factor setting the context of poverty and vulnerability at the start of the 20th century. </em>
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<em>Industrialization progressed rapidly in the United States in the decades after the Civil War. During the</em>
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<em>period running from the 1870s to 1900 that Mark Twain and Charles Dudley Warner christened the</em>
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<em>Gilded Age, progress in science began to interact with technological development, accelerating the pace</em>
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<em>of industrialization still further and making great fortunes for the founders and leaders of large industrial. Hope That Helps!</em>
<em>From Itsbrazts.</em>
The Taotie! It's a motif that was commonly found on ritual vessels from the Shang and Zhou dynasty.
It is believed that early artists created artists for no purpose. It is believed that artists work was created to look beautiful and to just be and not for a deeper purpose.
Collectors and museums have a responsibility to return these artifacts to their country of origin if the artifacts were stolen through acts like colonization. Take Ancient Egypt, for example. British archaeologists and historians excavated the tombs of Pharaohs, completely ignoring that in Egyptian culture, the Pharaohs needed those artifacts the archaeologists extracted to safely travel to the afterlife. Taking these artifacts and bringing them back to Britain is detrimental to Egypt's history and culture, effectively stealing their heritage from them. But, museums also have a responsibility to spread easy access to history all across the world. They can do this, but with replicas of the artifacts instead of originals. This allows Egypt to keep its heritage in its own Pyramids and museums, while still being able to share that history with the world.
Answer:
ok I think the answer is life of its creator
