The tone or mood is the authors attitude toward his subjects.
Hello! The answer to this question is:
Because she knows that her neighbors might talk if they saw Boo Radley being led across the street by an eight-year-old girl, Scout places her arm in the crook of Boo Radley's elbow, so that it looks like Boo is accompanying her, rather than the other way around. This shows how obvious the gossipy nature of the town is, that it has been picked up on by Scout to the extent that she knows how it might be misconstrued, whether deliberately or accidentally, and shared. The magnitude of this nature is shown because in all the strangeness of Boo Radley being out of the house, Scout is still aware that the small detail of who is leading whom may be remarked upon. This also shows Scout's loyalty to and care for Boo, as she is thinking of him when she acts like this, to protect him from the gossip of the neighborhood as much as she can. The act of her leading him across the road in the dark also shows the reversal in roles: while Boo is afraid, Scout becomes strong to guide him, a situation which differs greatly from their last encounter, during the fire, where Scout was weak and Boo was there to help her.
Please rate and mark brainliest!
:)
Literature of which period?
#1: Leaphorn found himself thinking of the late Ernesto Cata, who had (as the Zuñi would say it): completed his path after thirteen years of life, and who had been the personifier of the Fire God.
#2: There were four law enforcement agencies in the case before the FBI got involved: (1) Leaphorn and the Navajo Police, (2) Navajo from the McKinley County Sheriff's Department, (3) Highsmith from the State Policemen, and (4) Pasquaanti from the Zuñi police.
#3: O'Malley clearly stated his opinion at the law enforcement meeting: he believed that Leaphorn had no business entering Shorty's Hogan.
#6: Training to be a Little Fire God (as young men found out each year) was not an easy task.