The key Features of renaissance’s paintings is:
- A reverent revival of classical/Greek/Roman art forms and styles
- A faith in the nobility of Man ( Humanism)
- The mastery of illusionistic painting techniques, maximizing 'depth' in a picture.
* Hope this helps :) !! Mark me Brainliest :)!!!
The three distinguishing features of African cosmological and metaphysical worldview are meta is the concept that existed at the time of Ancident egypt. It tells about the creation of universe. Religious us sense it is considered as godess who created the universe.
<h3>What is metaphysics ?</h3>
Metaphyics is the type of the philosophy that invovles the study of universe , its creation ,existence and time and events. For example: the big band theory vs the study of god.
Meta is the values and the beliefs that was followed by the people of egypt it was helpful in the develpoment of various analytical tools and also for the study of cosmology.
Thus the differnt features were that Meta tells aabout the universe, secondly it uses religious factor to make people understand about the universe and thirdly it focuses on conceotualisation of meta.
Learn more about cosmology here:
brainly.com/question/902959
#SPJ1
The creature that Harry's class had to navigate when crossing a series of potholes were the red caps, which are dwarf-like that inhabit places like underground holes and battlefields and places where human blood has been spilled, like the dungeons of a castle.
They were small creatures that looked like elves, were three feet tall, had red eyes and sharp nails, and attacked anyone who invaded their territory and lost people.
The red caps were inspired by mythology, which says that these dwarf attack travelers who invade their territories, murdering them and staining their hat with blood.
Learn more about Harry Poter here:
brainly.com/question/1173893
While a great part of Europe was under the Industrial Revolution, the British movement Arts and Crafts proposed a return to the creative handcraft, rethinking our esthetic and social relation with objects. Stores were filled with items that were mass-produced by industry. The design and the personal relation between artisans and their work was lost, while consumers have been induced to by ordinary objects.
In 1888, a board of theorists and critics formed the Arts and Crafts Exhibition Society. Society has promoted many publications about the artistic value of the crafts and the importance of their esthetics. They also organized exhibitions where artists/craftsmen could expose and debate the role of objects. William Morris and his daughter May, Walter Crane, T.J. Cobden-Sanderson, Ford Madox Brown, Henry Wilson, among others, were the main members of the movement and the society.
Morris was the most active and also the most complete artist of that movement. He had designed objects and graphics but also had an expressive production in architecture. His esthetics were responsible to inspire many other movements that were reclaiming the role of art per se. His constructions were considered the first examples of modern architecture that giving its first steps. The Art Noveau considered one of the avant-guard movements had inspired Morris’ architecture.
But the apex of Arts and Crafts legacy was the adoption of the Society beliefs in a modern school of arts. During the 1920s, the German School Bauhaus, in Dachau, gathered artists to teach modern art, design and architecture using the Arts and Crafts beliefs, mainly the one that claims the esthetic experience an object can offer.
856 + (19 - 3 - (6 + (5 - 3) - (2 + 1) + (5 - 3) ) ) = 856 + (16 - (6 + 2 - 3))
= 856 + (16 - 5)
= 856 +11
= 867
