Answer:
D. Raphael
Explanation:
Nicolas Poussin was the leading painter of the classical baroque style.
According to Baroque history, Nicolas Poussin traveled to Paris, where he studied under minor masters and completed his earliest surviving works.
His enthusiasm for the Italian works he saw in the royal collections in Paris motivated him to travel to Rome in 1624, where he studied the works of Renaissance and Baroque painters—especially Raphael, who had a powerful influence on his style.
From historical evidence about Poussin, it is evident that Raphael had the most influence on his painting style
Answer:
Aperture refers to the opening of a lens's diaphragm through which light passes. ... Lower f/stops give more exposure because they represent the larger apertures, while the higher f/stops give less exposure because they represent smaller apertures.
The answer is "largest." It is a superlative adjective.
Artists who painted in symbolist style believed that art should not just focus on what could be observed, but should try to express <u>truth </u>in visual form.
The late 19th-century art movement known as symbolism, which had French, Russian, and Belgian roots, sought to symbolically depict absolute truths using language and metaphorical images, mostly as a protest against naturalism and realism.
It convey ideas through visual form rather than by directly representing reality. It was developed as a response to art trends like Impressionism, Realism, and Naturalism that realistically portrayed the natural environment.
The anti-idealistic movements of naturalism and realism, which sought to depict reality in all of its gritty particularity and exalt the commonplace above the ideal, were predominantly the targets of symbolism. A response in support of spirituality, the imagination, and dreams was symbolism.
To learn more about symbolism, refer
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