Despite the narrator’s profusion of animistic (animal-like), humanistic (manlike), and deistic (godlike) characterizations of nature, Crane makes clear that nature is ultimately indifferent to the plight of man, possessing no consciousness that we can understand. As the stranded men progress through the story, the reality of nature’s lack of concern for them becomes increasingly clear. The narrator highlights this development by changing the way he describes the sea. Early in the story, the sea snarls, hisses, and bucks like a bronco; later, it merely “paces to and fro,” no longer an actor in the men’s drama. In reality, the sea does not change at all; only the men’s perception of the sea changes. The unaltered activity of the gulls, clouds, and tides illustrates that nature does not behave any differently in light of the men’s struggle to survive.
The last one I think not sure but yea.
Explain.
.289659 leagues is in 1 mile
Answer: 2. No
Explanation:
In Act 1, scene 5, Romeo has already met, fallen in love, and kissed Juliet, meaning that his love for Rosaline has faded. But Benvolio doesn´t know about Romeo´s new love interest.
At the beginning of Act 2, Benvolio and Mercutio are trying to find Romeo without success. Mercutio makes fun of Romeo’s love for Rosaline, showing that neither he nor Benvolio are aware of Romeo´s new feelings.