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Rasek [7]
3 years ago
11

How do you decide where to purchase your apparel? Do you consider country of manufacture, company

English
1 answer:
mel-nik [20]3 years ago
6 0

Answer:

Explanation:

Advertising might be important is you are considering the manufactures expenses as part of the buying price. The more he advertises the more cost he will pass on to you.

If you  buy a lot of clothes, the style might be important to you, especially if you are not dressing for yourself.

If you live on a very tight budget, then cost is going to be important.

If you are an environmentalist, where the garment was manufactured is of major importance to you. I would pick this option because I do not believe child labor is ever justified, but the other three choices would probably hold more interest.

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Read the excerpt from act 2 of a doll's house. nora: [quickly] he mustn't get the letter. tear it up. i will find some means of
tatiyna

It can be inferred form the excerpt that the conflict introduced is that: "Krogstad tries to blackmail Nora into getting Helmer to keep him at the bank by exposing her forgery." (Option C)

<h3 /><h3>What is a Conflict?</h3>

A conflict is the tension between two ideals. Usually, this is relative to the protagonist and other internal and or external elements of the play or plot.

Only Nora's father can assist Krogstad in regaining his much desired position at the bank as he has lost his employment there.

Knowing this, Krogstad contacts Nora and advises her to persuade her father to reinstall Krogstad in his position at the bank by speaking with him.

When Nora declines, Krogstad threatens to reveal material that would damage her image unless she puts in a nice word for him with her father. After a brief exchange of minor insults, Nora ultimately caves.

Hence, the correct answer is Option C.

<u>Full Question</u>

<u></u>

Read the excerpt from act 2 of A Doll's House. Nora: [quickly] He mustn't get the letter. Tear it up. I will find some means of getting money. Krogstad: Excuse me, Mrs. Helmer, but I think I told you just now— Nora: I am not speaking of what I owe you. Tell me what sum you are asking my husband for, and I will get the money. Krogstad: I am not asking your husband for a penny. Nora: What do you want, then? Krogstad: I will tell you. I want to rehabilitate myself, Mrs. Helmer; I want to get on; and in that your husband must help me. For the last year and a half I have not had a hand in anything dishonorable, amid all that time I have been struggling in most restricted circumstances. I was content to work my way up step by step. Now I am turned out, and I am not going to be satisfied with merely being taken into favor again. I want to get on, I tell you. I want to get into the Bank again, in a higher position. Your husband must make a place for me— Nora: That he will never do! Krogstad: He will; I know him; he dare not protest. And as soon as I am in there again with him, then you will see! Within a year I shall be the manager's right hand. It will be Nils Krogstad and not Torvald Helmer who manages the Bank. Nora: That's a thing you will never see! Krogstad: Do you mean that you will—? Nora: I have courage enough for it now. Krogstad: Oh, you can't frighten me. A fine, spoilt lady like you— Nora: You will see, you will see. Krogstad: Under the ice, perhaps? Down into the cold, coal-black water? And then, in the spring, to float up to the surface, all horrible and unrecognizable, with your hair fallen out— Nora: You can't frighten me. Krogstad: Nor you me. People don't do such things, Mrs. Helmer. Besides, what use would it be? I should have him completely in my power all the same. Nora: Afterwards? When I am no longer— Krogstad: Have you forgotten that it is I who have the keeping of your reputation? [NORA stands speechlessly looking at him.] Well, now, I have warned you. Do not do anything foolish. When Helmer has had my letter, I shall expect a message from him. And be sure you remember that it is your husband himself who has forced me into such ways as this again. I will never forgive him for that. Goodbye, Mrs. Helmer. [Exit through the hall.]

What conflict does Krogstad introduce?

A) Krogstad tells Nora that he has written a letter telling Helmer about her affair with the doctor.

B) Krogstad refuses to forgive Helmer unless Nora finds a way to come up with more money.

C) Krogstad tries to blackmail Nora into getting Helmer to keep him at the bank by exposing her forgery.

D) Krogstad plans to take Helmer’s job managing the bank and ruin Nora’s reputation while doing so.

Learn more about conflicts at:
brainly.com/question/846617
#SPJ1

7 0
2 years ago
EMERGENCY ON THE MOUNTAIN
ziro4ka [17]
Well think about words that associate with the word “emergency.” Perhaps it may evoke a sense of panic or tension. Usually emergencies imply urgency of an unexpected situation which may come as a shock. Imagine there was an emergency on the mountain. Maybe someone tripped while hiking and sprained their ankles or broke a few bones. The ambulance would need to be called.
4 0
3 years ago
I ________ a tire before. (never/ change)
balandron [24]
I have never changed a tire before.
Listen! Thomas is playing piano in the living room. It’s amazing!
The plane just landed.
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That was the worst film I have ever seen.
We are going on a school trip next Tuesday.
Promise I will not tell lies anymore.
Stop talking! I need to learn my lessons.
I bought the ticket yesterday.
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Hope this helps!
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2 years ago
Secrets of nailing the innocent look
IceJOKER [234]

Answer:

Eye contact and speaking clearly but only when spoken to.

Explanation:

8 0
3 years ago
2.Which of the following is NOT a sentence?
tresset_1 [31]

Answer:

Hello,

I say A, would be the answer, because someone else is saying "Open your mouth wide for the dentist." This dialogue, not a sentence because someone is saying it.

Therefore, the answer is A, Open your mouth wide for the dentist.

Hope this helps! :)

-<em>Fishylikeswater</em>

6 0
4 years ago
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