The first commercial from Jersey Boys was on November 6, 2005. Previous musical from Jersey Boys began on Broadway on October 4, 2005.
<h2>Further explanation
</h2>
Jersey Boys is a jukebox music in 2005 with music created by Bob Gaudio, and the lyrics were created by Bob Crewe and taken from a book by Marshall Brickman and Rick Elice.
- This musical was formed in four "seasons", each of which was narrated by different band members. And they provide their own perspective on history and music.
- Bob Gaudio (member of the original Four Seasons) tried to make a musical from the band's discography in the early 2000s. He recruited several book authors namely Rick Elice and Marshall Brickman, and also a director Des McAnuff (which is the advice of Michael David of Dodger Theatricals).
- Not much is known about the history of the Jersey Boys group, before the premiere of their musical drama.
- The Jersey Boys premiered in a trial out of town on October 5, 2004, and lasted until January 16, 2005, at the <em>La Jolla Playhouse at the University of California, San Diego.</em> <em>The Four Seasons</em> is played by <em>Christian Hoff, David Norona, Daniel Reichard</em> and <em>J Robert Spencer</em>.
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Jersey Boys brainly.com/question/12577302
musical development 4 seasons brainly.com/question/12577302
Details
Class: high school
Subjects: Art
Keywords: Musical, Jersey Boys, Bob Gaudio
It depends if it's a single or a double bar line.
if it's a double bar line it's just there to separate the sections of the music and if it's a single bar line all it does it separate the beats in order to make a measure.
Answer:
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mems
Answer:
the anwser is E
Explanation:
Linda Nochlin’s “Why Have There Been No Great Women Artists?” (1971) is generally considered the first major work of feminist art history. Maura Reilly, a curator, writer, and collaborator of Nochlin’s, described the work as “a dramatic feminist rallying cry.” “This canonical essay precipitated a paradigm shift within the discipline of art history,” Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), “and as such her name became inseparable from the phrase, ‘feminist art,’ on a global scale.” A dryly humored analysis of the values by which artists are historicized and discussed, “Why Have There Been No Great Women Artists?” posited the first methodological approach for the discipline: that instead of bolstering the reputations of critically neglected or forgotten women artists, the feminist art historian should pick apart, analyze, and question the social and institutional structures that underpin artistic production, the art world, and art history.
In her own words, Nochlin grew up in “a secular, leftist, intellectual Jewish family” in Crown Heights, Brooklyn. In 1951, she graduated with a BA in philosophy and a minor in Greek and art history at Vassar College. Vassar is one of the so-called “Seven Sisters,” a group of historic women’s colleges along the Northeastern US (it became coeducational in 1969). “The good thing about a women’s college…was that women had a chance to do everything,” Nochlin stated in a 2015 interview with Reilly. “We were not pushed to the margins because there were no gendered margins…we were all there was.” In 1952, Nochlin obtained a masters in English literature at Columbia before undertaking her PhD in art history at the Institute of Fine Arts, New York University, where she wrote her doctorate on the work of Gustave Courbet. Aside from “Why Have There Been No Great Women Artists?,” Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.
Answer:
D. The stake in the saint's heart represents the Reformation.
Explanation:
Pieter Bruegel's <em>the Elder's Battle Between Carnival and Lent </em>showed different symbols as used in the painting EXCEPT The stake in the saint's heart represents the Reformation.
His paintings is rich in allegories and symbols that depict the triumph of Lent, also showing the Carnival with the figure bidding farewell with his left hand with his hands lifted to the sky.
Also in the painting, there is another figure of a large man riding on a barrel with something attached to his front. He wears a meat pie as a headdress, wielding a spit along with the head of a pig bracing for a fight.
