Answer:
By clarifying, intensifying, and interpreting the event for a specific audience.
Explanation:
First of all, applied media didn't consider every aspect of life as an art form. So, the only way we have to separate these worlds (life and art) it's developing specific creations and events for a particular audience. Only through this way, we'll be able to know exactly the difference between life experience and art, because it was created by ourselves and target a specific audience.
The
technique of blocking some parts of a photograph to emphasize (or draw
attention to) another part of the same photograph is called <span>Framing </span>
It would be D alphabets and numbers
Answer:
Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
Explanation:
Answer:
1. Alfred Eisenstaedt, (born December 6, 1898, Dirschau, West Prussia [now Tczew, Poland]—died August 23, 1995, Oak Bluffs, Massachusetts, U.S.), pioneering German-American photojournalist whose images, many of them for Life magazine, established him as one of the first and most important photojournalists.
2. he went to school at Humboldt University of Berlin.
3.
Born in Dirschau, West Prussia (now Tczew, Poland), Eisenstaedt was the pre-eminent photojournalist of his time, whose pioneering images for Life magazine helped define American photojournalism. ... Another of his best-known images shows Joseph Goebbels, the Nazi propaganda minister, in 1933, glaring at the camera.
4.
Eisenstaedt was born in Dirschau (Tczew) in West Prussia, Imperial Germany in 1898. His family moved to Berlin in 1906. Eisenstaedt was fascinated by photography from his youth and began taking pictures at age 14 when he was given his first camera, an Eastman Kodak Folding Camera with roll film.
5. he won National Medal of Arts
Explanation:
