As was typical in Northern Renaissance paintings, the setting of Robert Campin’s Merode Altarpiece is <u>a contemporary Flemish home.</u>
Robert Campin (1378-1444) was a Flemish artist who painted <em>The Annunciation Triptych</em>, also called the Merode Altarpiece.
The Merode Altarpiece belongs to the Northern Renaissance paintings. The three-paneled altarpiece depicts the moment the archangel Gabriel appeared before Mary, telling her she will give birth to the Messiah.
The painting is noted for its setting, which is a contemporary Flemish home. This marked a radical departure from Gothic and Early Renaissance paintings which depicted the event as occurring in a palace or church to communicate its significance.
The use of domestic setting reflected the ideas of the Franciscan Order which stressed the importance of rendering the Bible comprehensible to the ordinary folk.
To learn more about the Merode Altarpiece: brainly.com/question/11988654
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Answer: A blend of two different cultures
Explanation:
The painting was commissioned by one of the most powerful families in Venice. Gentile did not finish the painting, he died before finalizing it, so his brother Giovanni completed the picture. The artistic value of the painting is also borne out by the fact that it is the product of two great artists, and scientists still dispute today which part of the painting belongs to one and which part to the other brother.
The painting was commissioned in 1504. The artistic value of this work also lies in the intertwining of two opposite cultures, because the image is a fusion of the Mediterranean and Oriental culture. This fact is not only evident in the architecture, but also the clothing of the characters in the picture. Not only was Bellini famous as a painter, but he also invented one of the most popular alcoholic cocktails known throughout Italy.
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