Answer:
Write a letter to a friend of yours living overseas telling him or her about the economic hardship
These are the lines from Macbeth's soliloquy,
"Upon my head they placed a fruitless crownAnd put a barren scepter in my grip,Thence to be wrenched with an unlineal hand,No son of mine succeeding. <span>"
His kingship is in the threat of Banquo since he doesn't have a son to pass on his throne while Banquo has.</span>
Answer: when did kristof decided to focus all his attention on contemporary ballet
D because of the word udder
It is an early monologue in the second act of The Merchant of Venice that reveals the deepest insight into the psychological and functional motivation of antisemitism. As in most Shakespeare plays, this profound speech is delivered by a clown, in this case, Launcelot Gobbo, Shylock’s servant. Too often left out of productions, the speech gives us the inner workings of the antisemite.
Launcelot tells us that he thinks he could do better working for a Christian. He also fears that if he continues working for a Jew, he will become a Jew. Yet, as a servant, his main duty is loyalty to his master. The result is that his internal argument about whether to continue working for Shylock does not take place between “devil” and “angel” (as Renaissance allegory would lead us to expect), but between “fiend” and “devil.” Launcelot’s “Fiend” is that part of himself that wants him to leave Shylock—a desire that his class conscience tells him is disloyal and wrong. This “fiend” should be opposed by the angelic voice in favor of his employer, but Launcelot is too much the antisemite for that. Instead, he decides that “the Jew is the very devil incarnate,” and thus his employer is much worse than Launcelot’s (his own) inner “fiend” ever was. He is thus free to follow his most selfish, “fiendish” desires, leave Shylock, and take a better job:
Certainly the Jew is the very devil incarnate; and, in my conscience, my conscience is but a kind of hard conscience, to offer to counsel me to stay with the Jew. The fiend gives the more friendly counsel: I will run, fiend; my heels are at your command; I will run. (Merchant of Venice Act 2, Scene 2).