Answer:
Formerly the Brown's Hotel, it later became a 396-unit condominium complex, but as its former incarnation it served as (at least one of) the Catskills resorts that inspired the film. The fire was called the "largest fire in Catskills history," and in the end burned down 7 of the 9 buildings on the grounds.
Explanation:
Answer:
It was better because then, the greasers and the socs
Chapter Seven
could talk and find things in common. It was important to see past the stereotypes and not judge one another.
Explanation:
Filch, means to steal something
Answer:
Explanation:
Mary was fleeing from the robber. She was running through the ally evading the man who was trying to exploit her. Mary kept looking over her sholder trying to gauge when he would catch her. Suddenly the ally opened onto the street. She saw a cop who seemed engrossed in his donut. She ran to his car and pounded on his window. He oppened his door and steped out. He saw the man run out of the ally. The man stoped and took in the scene. He knew that if he kept running it was a given that the cop would capture him. The man turned and ran back into the ally. Mary was safe.
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In his essay "The Importance of a Single Effect in a Prose Tale," Poe writes that he unifies a piece of writing around mood. He writes not primarily to develop a plot or a character but to convey a feeling or what he calls an "effect."
Most often in his stories, Poe wishes to convey a mood or "effect" of horror. He does this through description and imaginative details that relentlessly build up a sense of unsettling terror. For example, in "The Cask of Amontillado," the reader's awareness that Montresor is plotting revenge and the piling up of creepy details about the cold, damp, bone-filled catacombs through which he leads Fortunato builds a mounting sense of tension and deep unease. Similarly, the ebony clock that stops everyone cold when it ominously tolls the hour in "The Masque of the Red Death," reminding people of their mortality in the middle of a deadly plague, contributes to a sense of horror.
Poe also tightens his effects by using a claustrophobic writing style focused on very few characters and often narrated by a person who is troubled or unstable. Poe sometimes horrifies us by putting us into contact with a fevered mind trying to justify its heinous actions, as in "The Tell-tale Heart," or with a claustrophobic nightmare setting, such as that described by the first-person narrator of "The Pit and the Pendulum.
