Noda's whole identity as a Japanese-American is the subject of a mixture of incomprehension and stereotyping from white society. Thus it becomes an idea of being racial.
<u>Explanation:</u>
Noda maintains and thinks that a third-generation German-American is regarded as an American, whereas a third-generation Japanese-American is just Japanese. Mainly because from any early age, Noda's whole identity as a Japanese-American is the subject of a mixture of incomprehension and stereotyping from white society.
She has the thinking and the mentality that the identity of a Japanese American is that of a racial identity and there is discrimination done against this identity compared to the other identities like that of a German American.
Mainly because from any early age, Noda's whole identity as a Japanese-American is the subject of a mixture of incomprehension and stereotyping from white society. She wears an identity that people simply don't understand, one steeped in a history that has traditionally presented Japanese-Americans in a negative light. To other people she'll always be a stranger, other and apart. In support of this contention, Noda maintains that a third-generation German-American is regarded as an American, whereas a third-generation Japanese-American is just Japanese.
And as an adult, Noda has been able to see herself and her heritage from both perspectives, moving gradually away from how things appeared in childhood, when her identity had been imposed almost wholly from without.
Explanation: This funerary context for portrait sculpture was rooted in the longstanding tradition of the display of wax portrait masks, called imagenes, in funeral processions of the upper classes to commemorate their distinguished ancestry.
The prepositional phrase in the sentence given is: ___________________________________________ "in the refrigerator" . _______________________________________________
