The setting in The Crucible was one that was in Salem, Massachusetts in the late 17th century. Its setting is real as based on true story. In the play, the community used is superstitious and paranoid. With a strong aversion to witches, the play events occurred within a Puritan society. To make the setting real the actors use background and props which are identical to the setting of the Salem village. Due to the setting being intense and small it creates a dark and depressing atmosphere.
Answer:
C. The water would become polluted.
Explanation:
Thames today is among one of the cleanest rivers across the globe and the question interrogates the impact of dumping wastes into it which would most likely be the pollution of water.<em> If people begin throwing the household waste into the river, it would lead to excessive water pollution again as it happened during 1830-60 when it became so polluted due to industrial and economic waste that it was affirmed to be dead biologically.</em> Around 10,000 people died due to water-borne disease Cholera as a consequence of the pollution of river Thames. Thus, if the people begin dumping again, it may lead to a situation worse than the previous spread of lethal diseases.
Everyone shows up to the party, even people who were not invited. Most of the people don't even know who Gatsby is and how he looks like.
After the parties, people leave recklessly. There is a scene of a guy, called Owl Eyes, who crashes his car just a few seconds after he starts driving away. Furthermore, because he's drunk, he continues to drive it even after one of the wheels has come off.
Emily Dickinson is world renown among poets and those who love literature for her emphasis on both thought and feeling.
She is considered a master of form and syntax and is often called 'a poet of paradox'.
Generally speaking her poems tend to be short and they usually use only one voice (which is not necessarily that of the poet). She published well over 1800 poems of which only a handful of them were titled as is the case of the poem listed here.
Notice her use of form and paradox in referring to hope as a thing with feathers, something that never asks for anything in return.