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QveST [7]
3 years ago
10

Make an argument about the relationship between suffering and creativity. Is there something inherent about suffering that enabl

es artist to make great art? As evidence use direct quote from ""sonny blues "" to support argument
English
1 answer:
mamaluj [8]3 years ago
5 0

Explanation:

Suffering is a process that causes pain and negative emotions in those who feel it, and creativity is the process of innovation and positive transformations that can be developed in any medium.

Therefore, the relationship between suffering and creativity occurs in the form that suffering can mark the life of an individual with negative feelings, which can be expressed and transformed through positive and creative expression, as through art.

In "sonny blues" we see that Sonny spent a long time involved with drugs and in prison, which may have been a negative and remarkable life experience, so he decides to become a jazz musician and play the piano, as these artistic and creative experiences in addition to causing emotions that serve as an escape to avoid suffering.

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Answer:

Write an analytical essay explaining how three romantic poems connect to William Wordsworth's ideas about poetry.

“I Wandered Lonely as a Cloud”

I wandered lonely as a cloud

That floats on high o’er vales and hills,

When all at once I saw a crowd,

A host, of golden daffodils;

Beside the lake, beneath the trees,

Fluttering and dancing in the breeze.

Continuous as the stars that shine

And twinkle on the milky-way,

They stretched in never-ending line

Along the margin of a bay:

Ten thousand saw I at a glance,

Tossing their heads in sprightly dance.

The waves beside them danced; but they

Out-did the sparkling waves in glee:

A poet could not but be gay,

In such a jocund company:

I gazed—and gazed—but little thought

What wealth the show to me had brought:

For oft, when on my couch I lie

In vacant or in pensive mood,

They flash upon that inward eye

Which is the bliss of solitude;

And then my heart with pleasure fills,

And dances with the daffodils.

“She walks in beauty”

She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that’s best of dark and bright

Meet in her aspect and her eyes:

Thus mellow’d to that tender light

Which heaven to gaudy day denies.

One shade the more, one ray the less,

Had half imapir’d the nameless grace

Which waves in every raven tress,

Or softly lightens o’er her face;

Where thoughts serenely sweet express

How pure, how dear their dwelling place.

And on that cheek, and o’er that brow,

So soft, so calm, yet eloquent,

The smiles that win, the tints that glow,

But tell of days in goodness spent,

A mind at peace with all below,

A heart whose love is innocent!

“Ode to the West Wind”

O wild West Wind, thou breath of Autumn’s being,

Thou from whose unseen presence the leaves dead

Are driven like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,

Pestilence-stricken multitudes! O thou

Who chariotest to their dark wintry bed

The wingèd seeds, where they lie cold and low,

Each like a corpse within its grave, until

Thine azure sister of the Spring shall blow

Her clarion o’er the dreaming earth, and fill

(Driving sweet buds like flocks to feed in air)

With living hues and odours plain and hill;

Wild Spirit, which art moving everywhere;

Destroyer and preserver; hear, O hear!

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