Answer:
D) This argument is valid because it leads to its own conclusion.
Answer:
A
Explanation:
answer a shows that building a dog park would help 60% of the community. which contradicts the original claim that it would only benefit a fraction of the population.
Answer:
Personification
Explanation:
Personification is a literary device which attaches human qualities or attributes to nonhuman objects, ideas, animals or abstract concepts. Personification allows the author to give deeper meaning to texts. It also adds vividness and intensity to subjects. Moreover, this makes the reader more likely to relate to what is being described, as people relate better to human attributes than to other types of description.
D. parallel structure just means that all of your verbs in the comma series line up in regards to tenses, here. in choice D, it's "BE friendly," "INTRODUCE yourself," and "SMILE." these are all present tense verbs.
the rest of the choices don't match--"exercise" and "stretching" are two different verb forms in choice A, "to go to the library" is the odd one out in choice B, ane "to build" doesn't match with the "-ing" verbs in choice C.
Answer:
The best answer is c. She's confident that her daughter's attitude is the only reason she's not a genius.
Explanation:
Suyuan is the narrator's mother in Amy Tan's short story "Two Kinds". She is a Chinese woman who decides to make a child prodigy out of her daughter Jing-mei, sort of a Chinese Shirley Temple. She quizzes her on several subjects, changes her hair to make it curly and then short, and finally makes her take piano lessons. At first, Jing-mei is excited about the idea of being a prodigy. She likes to picture all the attention she'll receive, and believes problems won't exist if she is famous. She is not, however, willing to work hard to accomplish things. She chooses to be lazy and, since her mother is constantly nagging her, she chooses to fail. She even says she had the right to be a disappointment. She succeeds in letting her mother down at her piano recital, where she plays terribly. Suyuan is not fooled by her daughter's performance. She knows Jing-mei could have done better if she had been willing to apply herself. Years later, when Jing-mei is already grown up, Suyuan gives her the piano as a present and remarks precisely that:
"Well, I probably can't play anymore," I said. "It's been years." "You pick up fast," my mother said, as if she knew this was certain. “You have natural talent. You could be a genius if you want to." "No, I couldn't." "You just not trying," my mother said. And she was neither angry nor sad. She said it as if announcing a fact that could never be disproved. "Take it," she said.
