Answer: C. The emperor guarded by the terracotta soldiers is considered China's strongest leader throughout all of history.
Explanation:
Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
Patron- someone who supports the arts, gives money to artists
illuminated manuscript- a manuscript with initials or borders
relic- object from historical time
Answer:
A. O Readers would have a hard time figuring out what the critic thought.
Explanation:
Answer:
Propaganda, the Denarius of Julius Caesar, Augustus of Primaporta and Emperor Justinian and his attendants all serve a propaganda function.
Explanation:
The denarius of Julius Caesar was the first time the portrait of a living person was featured on a coin. It shows a profile of Caesar on the front side and Venus on the reverse side. It was used as propaganda to assert Caesar's claim of being descended from Venus.
Augustus of Primaporta sought to use the coinage as propaganda to normalize his image as an imperial leader, and serves an integral role in the success of his rule. It depicts Augustus as a holy man and employs many pagan symbols in respect to the Roman priesthood which he presided over.
The mosaic of Emperor Justinian shows Justinian as a ruler of the church and state, Justinian holds a gold plate which was his offering to the church in place of the communion bread. The propaganda function it serves was a way of showing people his presence in the church because a lot of people believe Justinian and his wife never even go to church.