Answer:
Shift from optical-art to construct-painting
Explanation:
The shift from painting "what one sees" to a painting of "what one thinks about what one sees" describes shift from optical-art to construct-painting.
Answer: 1. Fall Down
Explanation: In one world I've developed, the local surface gravity is slightly more than three times the surface gravity on Earth. Humans settled this world and were doing quite well through highly advanced technology. A series of disasters removed that technology and even the knowledge of that technology. More than 800 Earth-years later, civilization has started to regain a semblance of Western civilization on Earth.
Gravity introduces a lot of stress on structures and, with a gravitational factor like my world, may be the primary motivator in design. While I generally gloss over the specifics of cities and structures, I would like to know the following:
1. What are the best (known) building materials for a high-gravity environment?
2. What are the best architectural constructs for a high-gravity environment? (e.g., arches, peaked or flat roofs)
3. Considering the safety concerns and additional stressors, is ornamentation a viable feature for structures in a high-gravity environment?
Answer: The Golden Arches are the symbol of McDonald's, the global fast food restaurant chain. Originally, real arches were part of the restaurant design.
Explanation:
Answer:
a. to draw the composition on wood panels.
Explanation:
Answer:
A Structuralist would argue that the painting is of a grain stack in a natural landscape. A Non-Structuralist would argue that the grain stack has a symbolic meaning. Symbolic meanings could include, the grain stack as a symbol of peasant life, the importance of the setting, or the specific color.
Explanation:
