We observe today a victory of party but a celebration of freedom. based off Thomas Jefferson speech
Answer:
B for number one , and A for number 2
Explanation:
if you read the text it says the giant was away which concludes both questions i hope i helped and i hope you fufill your promise
Answer:
The objectives of the propagandist are sometimes positive. The Smokey Bear Wildfire Prevention campaign is a form of propaganda. These advertisements make an emotional plea – don’t be careless with fire or cute woodland creatures may be harmed. The campaign was incredibly successful in preventing forest fires, but it may also have contributed to the public’s aversion to controlled burning.
No matter how harmless it appears, propaganda should always be scrutinized, as it promotes decision making and action based on limited, sometimes false, information and emotional appeal. Propaganda targets and manipulates our emotions without the benefit of two-way communication or fact-based debate.
Explanation:
Answer:
When I first read this short story I was at a sense of loss by the end of it. I thought he had escaped death and was going to return to his family.
At the point in the story where you quoted, I had a hope that the man was going to get away. A logical prediction would be to condemn this man to death still because he was sorrounded by troops and in enemy territory. However, we think that the author will have mercy on the protagonist, and through that mercy the man will get away.
I hope this helps, good luck.
Answer: B. That the poet has decided to delete verses between the first and second stanza
Explanation: Ellipsis is a mark consisting of three periods or dots, historically with spaces in between, before, and after them ". . . ", but nowadays a single character "..." which is used to indicate that words have been omitted in a text or that they are missing or illegible.
The effect created by the use of ellipsis at the stanza's end is to indicate, therefore that the poet has decided to delete verses between the first and second stanza of the poem.
