Answer:
<em>In first-person narration, the narrator is a person in the story, telling the story from their own point of view. The narration usually utilizes the pronoun I (or we, if the narrator is speaking as part of a group). ... In Jane Eyre, the narration is provided by the story's title character, a governess.</em><em>Here are a few ways to make multiple perspectives work in your creative writing:</em>
<em>Here are a few ways to make multiple perspectives work in your creative writing:Hone in on the most important character. ... </em>
<em>Here are a few ways to make multiple perspectives work in your creative writing:Hone in on the most important character. ... Use different perspectives to build characters. ... </em>
<em>Here are a few ways to make multiple perspectives work in your creative writing:Hone in on the most important character. ... Use different perspectives to build characters. ... Stick to one point of view for each scene. ... </em>
<em>Here are a few ways to make multiple perspectives work in your creative writing:Hone in on the most important character. ... Use different perspectives to build characters. ... Stick to one point of view for each scene. ... Clearly define perspective shifts. ... </em>
<em>Here are a few ways to make multiple perspectives work in your creative writing:Hone in on the most important character. ... Use different perspectives to build characters. ... Stick to one point of view for each scene. ... Clearly define perspective shifts. ... Give each character a unique perspective and voice.</em>
Answer: D. Personification.
Explanation: personification is a figure of speech that consists in giving human characteristics to nonhuman objects. In the given lines from Plath's poem "Edge" we can see a clear example of personification, because he is saying that the feet (nonhuman objects) are saying "We have come so far, it is over" and as we know, speaking is a human characteristic, so the correct answer is option D.
We are presented with a libertine speaker talking of many lovers. He suggests that, though he has spoken about the pain of love, it is only ‘Love’s pleasures’ that he cares about. As such, he has ‘betrayed’ ‘a thousand beauties’. He claims to have been a callous and deceiving lover, telling ‘the fair’ about the ‘wounds and smart’ they long to hear of, then ‘laughing’ and leaving. The poem is written in three elegant septets. Notice the iambic tetrameter and consider how important form might be to the theme of this particular kind of love and betrayal.
This speaker may not be entirely honest. The final stanza begins with ‘Alone’. Is there any sense of regret here? The speaker claims to be ‘Without the hell’ of love, yet in the same line we find reference to the ‘heaven of joy’. He may even also sacrificed his joy with his promiscuous love.
