The satanic ritual in the forest where YGB yells out for Faith to resist.
I hope it helped
From the first lines of the history, the narrator tries to insert the reader in an obscure and sad atmosphere, where it predominates a mystery climate and exacerbated negativity.
The images lead the reader, from the beginning of the narrative to sensations and events that seem to challenge him and to invite to a construction process of differentiated sense.
The creation of the Gothic elements happens through the construction of the atmosphere of fear of the story, as well as the gloomy and decadent character, intensified still more on the phantasmagoric environment of the mansion Usher.
The characters also gain important narrative participation in the study work, as soon as his ambiguous characterization gives to the story a tone of estrangement. So, the Gothic thing in The Fall of the House of Usher is revealed through the morbid description of the narrative environments and of the decoration without life, of the imprecision that shows up around the nature of the events and of the characterization of the main characters, Madeline and Roderick Usher.
The drifting of the narration between the present and past without prior warning clearly states the stream of consciousness in "The Jilting of Granny Weatherall." Thus, option C is correct.
<h3>What is the idea of "The Jilting of Granny Weatherall?"</h3>
"<em>The Jilting of Granny Weatherall</em>" is a story by Katherine Porter and shows the perseverance and capability of the women at the loss. It is portrayed by the technique of stream of consciousness.
In this technique, the ideas and the thoughts of the characters are portrayed and depicts what is going inside their head. It tells the story by switching the present and the past suddenly.
Therefore, the drifting of the narration between the present and the past shows the stream of consciousness.
Learn more about the stream of consciousness here:
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Now Romeo's old desire for Rosaline lies in its deathbed, and a new love is ready to be its heir. Romeo used to groan and swear he would die for Rosaline's love, but now he finds Rosaline's beauty nothing in comparison to tender Juliet's. Now someone loves Romeo and Romeo loves someone, and they are both charmed by each other's looks. But Romeo must declare his love to someone who is supposed to be his enemy, and Juliet is love-struck, adoring someone she is supposed to fear. Because he is considered an enemy, Romeo is not allowed to see Juliet, and make the sorts of oaths that lovers usually swear to each other. And Juliet—just as much in love with Romeo as he is with her—she has even fewer means of meeting her beloved Romeo. But passion gives them the power, and time gives them the opportunity, to meet each other, tempering their extreme adversity with extreme sweetness.
