Answer:
Explanation:
Spring Day on Karl Johan Street, 1891 by Edvard Munch. Seurat replaces Manet as the leading influence on Munch in this work. The fluid masses of the crowds now sparkle and glitter with the speckled application of contrasting warm and cool colors. Munch's emotive perception of the vigor and freshness of a spring day, however, breaks through the rationalist 'scientific' control of pointillism advocated by Seurat, and, as in the pointillist paintings by Van Gogh and Gauguin
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Answer:
An advocacy material that will show the relationship of the MIMAROPA and VISAYAS arts and craft of Philippines culture, tradition and history is described below in complete detail.
Explanation:
Mimaropa (usually realized in official administration documents), formally recognized as the Southwestern Tagalog Region,[3] is an authoritative domain in the Philippines. It was also previously indicated as Region IV-B until 2015. It is one of two provinces in the nation having no land boundary with another domain (the other being Eastern Visayas). The title is an acronym mixture of its constituting regions.
Visayan's regional intonation: or Visayan people are a Philippine ethnolinguistic association inherited to the whole Visayas, the southernmost lands of Luzon, and many portions of Mindanao. They are the biggest ethnic society in the geographical distribution of the nation when taken as a single society, numbering some 33 million. The Visayas broadly experience a marine culture with strong Roman Catholic traditions blended with cultural elements through centenaries of communication and inter-migrations mainly across the water channels of Visayas.
