Answer:
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures. As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
A widespread observation is that a great talent has a free spirit. For instance Pushkin, who some scholars regard as Russia's first great writer,[1] attracted the mad irritation of the Russian officialdom and particularly of the Tsar, since he "instead of being a good servant of the state in the rank and file of the administration and extolling conventional virtues in his vocational writings (if write he must), composed extremely arrogant and extremely independent and extremely wicked verse in which a dangerous freedom of thought was evident in the novelty of his versification, in the audacity of his sensual fancy, and in his propensity for making fun of major and minor tyrants.
Explanation:
It is equivalent to 4 eighth notes
On Gardner's Art through the Ages: The Western Perspective, Volume 2, it was written that Picasso has a different perspective in understanding art. He believes that the masks are not ordinary but contains magic that becomes a medium between human and the forces of evil. In the book, it stated that he wanted to capture this power as he tried to express it on his paintings.
Picasso was inspired by primitive art as well as African and Iberian culture. During his time, art works look strange and unique and were based on the colonizer's findings on their conquered lands.
