Religion was and will always be a big part in art, because lots of people base their whole lives around religion. In the Renaissance religion played in gigantic role. Leonardo Da Vinci painted 'The Last Supper,' while Michelangelo painted the Sistine Chapel ceiling and 'The Creation of Adam'. These only name a few, but these paintings still stand out as some of the most memorable art in history. Today art is more expression about the human body and emotions, unlike how back then it was focusing on religion.
Fresco painting is the technique of painting on a plastered wall of ceiling, and is widely used during the old eras of the Greek, Renaissance, Medieval and Roman periods. These masterpieces are often seen in halls and churches around Europe. It's also a well-preserved form of art that can provide clear qualities for hundreds of years.
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OK, since everyone has answered Jazz, I'm going against the grain and going with Bluegrass. Bluegrass melodies are simple, Dexterity by Charlie Parker is anything but! Bluegrass does require a great deal of improvisation.
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The Total Works of William Shakespeare Abridged All the world's a stage, And all the men and ladies only players: They have their exits and their entrances, And one man in his time plays numerous parts, His acts being seven ages. To begin with the infant, Mewling, and vomiting within the nurse's arms. And after that the whimpering school-boy, with his satchel, And shining morning face, inching like snail unwillingly to school. And after that, the lover, Sighing like heater, with a woeful ballad Made to his mistress' eyebrow. At that point, a soldier, Full of interesting pledges, and unshaven just like the part, Jealous in respect, sudden and fast in quarrel, Seeking the bubble reputation even within the cannon's mouth. And after that, the justice, In reasonable circular stomach with great capon lined, With eyes extreme, and whiskers of formal cut, Full of astute saws and cutting edge instances; And so he plays his portion. The 6th age shifts into the incline and slippered pantaloons, With exhibitions on nose and pocket on the side, His young hose well saved, a world as well wide For his contracted shank; and his huge masculine voice, Turning once more toward childish treble, pipes, and shrieks in his sound. The final scene of all, That closes this interesting exciting history, Is moment childishness and insignificant oblivion, Sans teeth, sans eyes, sans taste, sans everything.
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